Maghreb
“Change does not mean reform.” F. Fanon (1961)
“Where there is power there is resistance.” M. Foucault (1976)
Michel and Frantz in Algeria, skies a species of red
like oranges perfuming porcine duck sharing a plate
with pulpy squash, speaking of particularities and
generalities, of Binswanger’s dasein agenda removed
from structuralism’s elemental lens. One an acolyte of
Césaire, the other believing in himself, each yoked to
France, not to the same oppressions wrought by their
pais where skies might also be orange, but not in Kabyle
where moist air embraces silver altocumulus reflecting
sunlight. Their paradigms different but not opposed, a
parallel aesthetics united by two doctrines of power at
multiple scales of manumission policed from Panopticons
specific and abstract, familial and civic, intimate and
unaffected, suspect and dominant like male hamadryas
herding their harems, all driven to madness by structures
stressed by iterations of lagging time (T) and wasting
energy (E).
Neocolonialism, a sign of progress America can be
proud of, no longer defined by slavery or civic war
white men convene in rooms redolent of wood and
wax, modeling futures for those afforded membership
plus interest, for those with surplus to invest in a Forever
Ring of new frontiers and endless possibilities, and
everything that happens is material for another reinvention.
Even suicide begets a new fiction for reading or for living
or for wearing, and progress is equivalent to curating
any landscape or border, including alien bodies or
nation-states across oceans or deserts or planets,
requiring only that America keep her facts straight or that
she preserve order by other means. For what is power but
class and type (surveillance of private spaces, interruption
of solitude, perturbation of boundaries) unless power turns
inward, evoking resistance to hegemony, like female fuscata
reversing their rank, aided by allies diagnosing marginal
contingencies where leverage is equivalent to force (F)
manifest when benefits prevail?
Phenomenology of madness feels gray as sky before
storming, not solid gray but penetrated by silver, black
and fading light like the time after harming a lover or
a child, breaking their hearts forever as Foucault broke
our hearts by dying in a way opposed to our translations
of his canon, coercion and surveillance, Gordian rules
governing contracts, hermeneutics imprecise as reality
routed through neurons, frontal cortex switching from
synapse to behavior, action patterns mapped like Drosophila‘s
grooming, algorithms expressed in numbers or other metrics
harboring their own syntax, quantities and characters,
topographies of circumstance like Hegel’s aesthetics, a
“reflective gaze of lived experience” as he gazed upon us
as his own amuse, detached and hiding from his acolytes—
students, psychologists, philosophers who, like historians or
like Binswanger, failed to detect his worship of the “unlivable,”
like Nietzsche’s claim that reality (Physics) and representation
(Perception) are indivisible, that black and white are the same
and ahistorical, a singular claim on phenomena removed from
Hegel’s logos, that interactions constitute a process rather than
a truth-claim. His color was gray, then. We gave Foucault
mercurial power to drive us, without certainty, into the coming
storm.
*
Clara B. Jones is a retired scientist, currently practicing poetry in Asheville, NC. As a woman of color, Clara writes about the “performance” of identity and power, and her poems, reviews, essays, and interviews have appeared or are forthcoming in numerous venues. Clara studied with Adrienne Rich in the 1970s and has studied recently with the poets Meghan Sterling and Eric Steineger.