Issue 30, September 2021

Reviews:
Anthony Madrid on Glyph: Graphic Poetry = Trans. Sensory by Naoko Fujimoto
Poems:
Benjamin Paloff, “Adapter” and “Imperial Burlesque“
Katie Kemple, “SUBJECT: The little something extra report,” “SUBJECT: How to expire–now in paperback!,” and “SUBJECT: What is a word for complete?“
Peter Leight, “Self-Portrait as a Suspicious Person with Soft Lips” and “Self-Portrait As a Person Who Needs to Hurry Up“
Charlie Clark, “The US Army wants to create biodegradable bullets that plant flowers where they fall”
David Wojciechowski, “Another Small Apocalypse” and “Grief“
Kenton K. Yee, “Corporate Life” and “Plastic Rose“
Katherine Fallon, “Addressing the Pituitary Growth“
Jen Karetnick, “Kapok Tree” and “Ritual“
Connor Fisher, “Hagiography“
Martin Rock, “The Lake is Frozen the Air is Death” and “Discomfort is the Shadow of Revolution“
J.R. Forman, “Casting Pearls“
Patricia Connolly, “wormhole,” “Winter Fawn,” and “the seventh face”
Joshua Zelesnick, “[a cloud that follows us]”
David Southward, “Whiteout“
Emma Train, “The News (For Lack of What is Found There)“, “Wettest on Record,” and “Hymn“
Patrick Redmond, “Splendid“
Edward Salem, “Belly Dancer“
Aimee Wright Clow, “On the Map of the Neighborhood” and “The Mandarins“
Éric Morales-Franceschini, “Antimetabole” and “Speculative Fictions“
Hunter Gagnon, “Quarantine poem #101 “above all we taught preemptive violence of the mind against itself” and “Quarantine poem #98 the executioner builds his weapon for 1 year on sacred days alone, and covets his hounds“
Cameron Anderson, “Psych Ward“
Kayla Geitzler,” The Spiders”
Jessica Lawson, “background“
Austin Veldman, “Fermi’s Enigma”
Laura Eve Engel, “We Do Not Expect Any Interruption Of Your Service”
Visual Art:
Naoko Fujimoto, three images