Leave a Light On
I’ve become a connoisseur
of roadside hotels — the mini fridge,
the single-serve coffee machine,
the ironing board. The Super8
in Georgia has a chandelier
above the kitchenette, in Kentucky
there’s a Turkish rug in the lobby
of a Days Inn, hand-knotted red wool
caked in cement dust from work boots,
in Tennessee the centerpiece of geraniums
is delivered daily, sunrise orange pinks
under deep green leaves set on a round
walnut table, but the water pressure is weak
in Alabama, and all three little bottles
are conditioner. And I say: “This will not
define my day,” but it does. My mother
calls and we don’t mention sarcoma
and she says she’s bought me
shampoo and my sister has apologized
and that she feels fine. I fear her health
is failing. What is failing? like a motor
fails, like a bridge fails? I fear my mother
dying. And how did she know I needed
shampoo? Once, in La Paz, at a retreat
for the School of Tourism, a group
of Cañari women laid out a feast
on red woven runners over patchy
grass: cheese, fruits, lima beans, purple
fingerling potatoes, sweet corn. A woman
named Carmelina picked up some grapes
and threw them into the open field
for the birds, she said— so the Pacha Mama[1]
sees how we take care of them
like she takes care of us.
[1] Earth Mother in the Cañar Quichua language
*
Pablo Otavalo is from Cuenca, Ecuador, and now lives and writes in Illinois. A recipient of the 2013 and 2014 Illinois Emerging Writers Competition prize, his work has appeared in Poetry Magazine, RHINO Poetry, Jet Fuel Review, Structo Magazine, Levitate, No Tender Fences: An Anthology of Immigrant & First-Generation American Poetry, and other publications. We must find what we revere in each other.
