Category: Issue 15

Balsa Book i

 

wood2

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

*

Sean Shearer is poet and artist from New Jersey. Recent poems appear in or are forthcoming from Beloit Poetry Journal and Yemassee. His artwork is held at the The Beinecke Rare Book & Manuscript Library at Yale University. Sean serves as the editor-in-chief and book designer for BOAAT Press. Website: www.seanshearer.com

Balsa Book ii

 

wood3

 

 

 

 

 

 

 

 

 

 

 

 

 

 

*

Sean Shearer is poet and artist from New Jersey. Recent poems appear in or are forthcoming from Beloit Poetry Journal and Yemassee. His artwork is held at the The Beinecke Rare Book & Manuscript Library at Yale University. Sean serves as the editor-in-chief and book designer for BOAAT Press. Website: www.seanshearer.com

Balsa Book iii

 

wood4

 

 

 

 

 

 

 

 

 

 

 

 

 

 

*

Sean Shearer is poet and artist from New Jersey. Recent poems appear in or are forthcoming from Beloit Poetry Journal and Yemassee. His artwork is held at the The Beinecke Rare Book & Manuscript Library at Yale University. Sean serves as the editor-in-chief and book designer for BOAAT Press. Website: www.seanshearer.com

Balsa Book iv

wood6

 

 

 

 

 

 

 

 

 

 

 

 

 

*

Sean Shearer is poet and artist from New Jersey. Recent poems appear in or are forthcoming from Beloit Poetry Journal and Yemassee. His artwork is held at the The Beinecke Rare Book & Manuscript Library at Yale University. Sean serves as the editor-in-chief and book designer for BOAAT Press. Website: www.seanshearer.com

 

 

 

 

Invocation

The absence of a vocative case

in this language, Distress.

And now I cannot address you

the way I want to, blind thing.

 

To unearth what is absent,

what has since past, stressing

clarity in the face of common things:

but I cannot name you

when this, this, this, this.

 

To give you an anchor

against the drift, blind thing.

To anchor you

to the unmoving shore, blind thing.

To stop you, as drift of the world,

from binding me.

 

You were meant,

drift as you were,

to stop me from

wordplay and

distortion,

 

to move me

in the center of

my grief, blind thing,

 

to remove me.

 

*

 

Cathy Guo is a student and writer published in Mobius, the Margins (run by the Asian American Writer’s Workshop), Verdad, and more. She is currently working on her first chapbook project, which aims to present both oral history and poetry in a dialogue on memory, landscape and diaspora.  Follow her musings @_duxfemina_

 

 

 

 

 

 

 

 

 

 

 

Shooter

“Shooter”

 

Fort Hood, Texas

A month before he is due to ship out to Afghanistan, still wearing his Arab dishdash and skullcap from that morning’s prayers, he stopped at the 7-11 for the usual: hash browns, eggs, a joke with the owner about finding himself a bride. He was the son of Palestinian immigrants. An army psychiatrist, a single father of two who never let anyone enter his Casa Del Norte apartment. Until yesterday. Yesterday, when he went door to door giving away his chair, bookcase, microwave, alarm clock, even vegetables. Yesterday, when he handed every neighbor a copy of the Koran. Yesterday, when he told his landlord that he was shipping out on Friday and not to worry about refunding him the six months paid in advance. Quiet and sensitive, a man who once fainted observing childbirth, who spent months mourning the death of a pet bird. He downed his coffee, returned to the apartment one last time to empty the garbage, and put on his uniform. On the drive over, he thought of his patients. How they woke in the middle of the night, screaming, crying, shouting to no one in particular. How they shrugged off each act as an excess of war. How for the past eight years they had stared at his brown skin, winced at his Muslim references.Three hundred of them, all staring at him as he entered the Soldier Readiness Center. He sat down at a wooden table, bowed his head, and prayed one last time.

 

*

 

Tucson, Arizona

In his dreams it was always like this: the sky orange, the grass blue, the Ford Crown Victoria pulling into the Circle K parking lot on a quiet Sunday morning. He looked out the window knowing he could fly, that six was eighteen, that language was meaningless. His destination was just five miles away, at a Safeway supermarket plaza in Casas Adobe. Grinning maniacally, his pale shaved head hidden under a black hoodie, he asked the cabbie whether he remembered every passenger he ever drove. People always remembered him, wherever he went. At the bank, sticking his fingers through a gap in the bulletproof glass and laughing. At his friend’s house, wondering aloud why positive and negative magnets attracted one another. At a standard congressional meet and greet four years ago, asking the congresswoman what the government was if words had no meaning. And now at the Safeway on Oracle Road, as he pulled a $20 bill from a ziploc bag to pay for the $14.25 ride, as they walked inside to make change, as he left a 75 cent tip and shook the cabbie’s hand. In his dreams it was always like this: the sky orange, the grass blue, the congresswoman waiting for him at a plastic table outside the La Toscana Village mall.

 

*

Oakland, California

Had the school administrator been in that day, he would have taught her a thing or two about this country. America: where you could pass unassumingly in your nice neat clothes as they evicted you from your crumbling Virginia apartment. America: where you could fall $23,000 in debt and still gamble away your father’s savings on a nursing school scam. America: where your bother could slam his Toyota into a boulder at 70 miles per hour, torturing your mother a world away until she died too, less than a year later. America: where they could make fun of your immigrant accent, your Korean name, your desire to reinvent yourself at 43. America: where you could bag groceries in the day, cook dinner for your elderly father in the evening, and still sleep in the glittering shadow of San Francisco. Walking into the classroom, stomping over the blue carpet, he would teach the students instead that this, this was America.

 

*

 

Aurora, Colorado

He walked into the Century 16 theater alone just before midnight, orange hairs peeking out from his black skullcap. Just last month, he had withdrawn from a doctoral program in neuropsychology. A flunk-out. He was a California native, a Lutheran who occasionally hired prostitutes and posted photos of himself to online dating sites. Dressed in dark pants and a light-colored shirt, he held the theater door open for two others behind him. At the ticket counter, he scanned his phone to retrieve the movie ticket, but the screen beeped. Technical error. He scanned it again, handed it to the ticket collector, and walked to the concession stand towards the rear of the lobby. He would not buy anything. But in the early hours of that humid Colorado night, staring at the golden popcorn in its glowing glass box, the plastic Coca-Cola bottles lined in neat rows like toy soldiers, the individual packages of candy whose names and prices blinked down from the display screen, he spent several minutes contemplating the choices arranged so carefully before him.

*

Oak Creek, Wisconsin

As he pulled into the temple parking lot, his thoughts returned to his time in the army. It was there that he learned to repair the Hawk missile system, to march in a straight line, to keep his uniform pressed and clean. There at Fort Bragg, where he watched two paratroopers from the 82nd airborne division murder a black man and woman. There in Fayetteville, where he was demoted and discharged for drunkenness. Here in Oak Creek now, staring at his pale shaved head in the rearview mirror of the red SUV that August morning, as the children hurried to their religious classes, the women prepared the communal meal, and the men kneeled their turbaned heads in prayer, it seemed a world away.

 

*

Newton, Connecticut

For the past few months, they had hardly spoken. He sent her emails, never left his room, gripped doorknobs through tissues, washed his hands and socks 20 times a day. Three loads of laundry exchanged for four shots to the head. Now he left her in bed at 36 Yogananda and climbed into the Honda Civic. He wore dark clothing, an olive green utility vest, sunglasses, and black boots. Put in yellow ear plugs to block out the syllables whispered wherever he went, like a mysterious fog that never lifted: Sensory-integration disorder. Celexa. Obsessive-compulsive disorder. Szhizophrenia. Asperger’s Syndrome. Onto Berkshire, less than four miles away, where he circled the high school parking lot, saw cops, and left. Onto Riverside Road, then a right at the volunteer firehouse on Dickinson. He passed the welcome visitors sign, looped around the lot, then stopped against the vertical yellow lines of the fire lane. He parked with the passenger’s side facing the brick wall of the main entrance, a set of heavy glass double doors through which he could see beige carpet, a wooden table stacked with glossy magazines, hard-backed chairs with plush aqua cushions. Four miles and four minutes past with forty feet to go. He left the car doors open and stepped onto the asphalt. Over the intercoms that December morning, as the teachers flicked off the monitors and the students shuffled in their desks, between the monotone of morning announcements and the shrill ringing of shots muffled through the loudspeaker, a momentary hiss of static.

*

 

Washington, D.C.

He heard them whispering as he parked the rented blue Toyota Prius outside the Navy Yard. Ever since he watched the two towers crumble before his eyes that raw September morning, they had followed him. Chasing him through hotel rooms, speaking to him through the walls and ceilings, tormenting his sleepless body with microwave vibrations that no pill could deaden. He had tried to quiet them before. Once with four bullets through the tires of a Honda Accord. Another time with a single shot through the ceiling of his Fort Worth apartment. Occasionally with meditation at a Buddhist temple. They grew louder as he crossed Lot 28, as he swiped his badge at the door to Building 197, as he rode the elevator up to the fourth floor and tiptoed across the hallway twelve years and five days after the initial trauma. The noise, as he unzipped his backpack in the mens’ room, feeling the cool metal of the hidden gun against his palms, was deafening. Then silence.

 

***

 

Emily Greenberg is a writer and artist based in Brooklyn, NY. Her fiction has previously appeared in The Copperfield Review, Rainy Day Literary Journal, Kitsch Magazine, and Ink Magazine, and her artwork has been exhibited or is forthcoming at Phoenix Gallery, New York, NY; Smack Mellon and BRIC, both Brooklyn, NY; ARC Gallery, Chicago, IL; Intermedia Arts, Minneapolis, MN; and elsewhere. “Public Privacy Hotline,” an interactive public artwork about surveillance, was recently installed in Somerville, MA. Find out more at emilygreenberg.net.

 

 

On the Mind as a Frame

The face provides enough words for any given moment.

 

Think of each breath sequence

as a sentence,

 

dividing gestures with smaller movements of the body,

unseen within the larger system of thought.

 

You cannot question the self

without disturbing

 

the rhythm of the mind, fragmenting each thought

into a thousand smaller ones. Simply defined,

 

a house is a place to contain objects that define

the self—without containment,

 

the self proceeds

through existence with more force, less weight.

 

The moment provides enough face for any given word.

 

*

 

Adam Clay’s third book of poems is Stranger (Milkweed Editions, 2016).
His poems have appeared in Ploughshares, Crab Orchard Review, Boston
Review, Iowa Review, The Pinch, and elsewhere. A co-editor of TYPO
Magazine, he serves as a Book Review Editor for The Kenyon Review, and
teaches at the University of Illinois Springfield.

 

 

 

The Unending Pleasure of an Empty Chair

bbbbbbbbbbbbbbbbfor Monica Berlin

 

 

your face like glass

along a lake

 

though language

falls short of experience

 

in a way we dream

of looking out

 

and as for second

street, there is no avenue

 

worth the weight

of a chair in pennies

 

it’s nice to meet

the lake and its face

 

there are so many places

to swim

 

*

Adam Clay’s third book of poems is Stranger (Milkweed Editions, 2016).
His poems have appeared in Ploughshares, Crab Orchard Review, Boston
Review, Iowa Review, The Pinch, and elsewhere. A co-editor of TYPO
Magazine, he serves as a Book Review Editor for The Kenyon Review, and
teaches at the University of Illinois Springfield.